For a Charton horror comic, this Sutton-drawn story has an unusually coherent and forward-moving plot. Who wrote it? The Grand Comics Database doesn't list the writer, but I'm going to guess Tom himself did the job, because it's so much less a mess than most Charlton stories...the dialog and captions have a cartoonist's economy (at least for 1971, when it was originally published). But I could totally be wrong.
Chris Duffy's blog of old comics, new comics, and sometimes his comics.
Thursday, October 29, 2009
You gotta love killer teddy bears...and Tom Sutton
Because everything he drew was just dead on. I never read a Tom Sutton story where I wasn't really drawn to the art and storytelling. Sutton approached every story with a cartoonist's sensibilities combined with an illustrator's chops--always efficiently done but with enough weird detail (sometimes more than enough) to make you look twice at a lot of images. Sort of like Toth via Wrightson...or something like that. Sutton's art always made it look like he was having a blast.
For a Charton horror comic, this Sutton-drawn story has an unusually coherent and forward-moving plot. Who wrote it? The Grand Comics Database doesn't list the writer, but I'm going to guess Tom himself did the job, because it's so much less a mess than most Charlton stories...the dialog and captions have a cartoonist's economy (at least for 1971, when it was originally published). But I could totally be wrong.






For a Charton horror comic, this Sutton-drawn story has an unusually coherent and forward-moving plot. Who wrote it? The Grand Comics Database doesn't list the writer, but I'm going to guess Tom himself did the job, because it's so much less a mess than most Charlton stories...the dialog and captions have a cartoonist's economy (at least for 1971, when it was originally published). But I could totally be wrong.