For a Charton horror comic, this Sutton-drawn story has an unusually coherent and forward-moving plot. Who wrote it? The Grand Comics Database doesn't list the writer, but I'm going to guess Tom himself did the job, because it's so much less a mess than most Charlton stories...the dialog and captions have a cartoonist's economy (at least for 1971, when it was originally published). But I could totally be wrong.
Chris Duffy's blog of old comics, new comics, and sometimes his comics.
Thursday, October 29, 2009
You gotta love killer teddy bears...and Tom Sutton
Because everything he drew was just dead on. I never read a Tom Sutton story where I wasn't really drawn to the art and storytelling. Sutton approached every story with a cartoonist's sensibilities combined with an illustrator's chops--always efficiently done but with enough weird detail (sometimes more than enough) to make you look twice at a lot of images. Sort of like Toth via Wrightson...or something like that. Sutton's art always made it look like he was having a blast.
For a Charton horror comic, this Sutton-drawn story has an unusually coherent and forward-moving plot. Who wrote it? The Grand Comics Database doesn't list the writer, but I'm going to guess Tom himself did the job, because it's so much less a mess than most Charlton stories...the dialog and captions have a cartoonist's economy (at least for 1971, when it was originally published). But I could totally be wrong.






For a Charton horror comic, this Sutton-drawn story has an unusually coherent and forward-moving plot. Who wrote it? The Grand Comics Database doesn't list the writer, but I'm going to guess Tom himself did the job, because it's so much less a mess than most Charlton stories...the dialog and captions have a cartoonist's economy (at least for 1971, when it was originally published). But I could totally be wrong.
Sunday, June 7, 2009
Please note: Laura Galen=Awesome
Nickelodeon Magazine, where I have been lucky enough to be comics editor for 12 years, has been discontinued. I'm incredibly honored to have worked there. It was the job of my life--I got to work with a vast array of talented and funny people (staff and cartoonists) and the end result was always a magazine I was proud to have been a part of. An amazing opportunity--one that frankly still dazzles me.
I owe it all to--and kids everywhere should thank--Laura Galen, who started and ran the magazine (as editor-in-chief and then as Editorial Director) for all 16 years, hired the staff, and always, always pushed for excellence. Take a bow, Laura! We love you and we loved Nick Mag!
I owe it all to--and kids everywhere should thank--Laura Galen, who started and ran the magazine (as editor-in-chief and then as Editorial Director) for all 16 years, hired the staff, and always, always pushed for excellence. Take a bow, Laura! We love you and we loved Nick Mag!
Wednesday, April 15, 2009
King Aroo is coming!
I haven't heard anything in the way of release dates yet, but Dean Mullaney at IDW is putting together a complete collection of Jack Kent's great comic King Aroo. I really don't have a lot to say except that Kent's work is really charming and it WORKS so well. Completely unpretentious but very smart.
Here's a Sunday from the mid 50s:

And here's a daily I was lucky to get off of ebay (scanned in color so you can see Kent's blue line work):

King Aroo lasted from 1950 through the mid 60's--a pretty long run by today's standards, but when talked about historically it's always considered a strip that got cut off in its youth. Only one reprint book ever came out during its run--covering much, but not all, of the first year. Rick Marschall's NEMO reprinted a fantastic surreal run of dailies in the 80s, and Tom Devlin edited a collection of Sunday's for an oversize Comics Journal special a few years ago (using Sundays from my collection, I'm collector-proud to add.) But all that adds up to a small fraction of the run of the strip.
I haven't used this spottily updated blog to plug anything until now, but if you like good cartooning, you should really check out this reprint series when it comes out!
Here's a Sunday from the mid 50s:
And here's a daily I was lucky to get off of ebay (scanned in color so you can see Kent's blue line work):
King Aroo lasted from 1950 through the mid 60's--a pretty long run by today's standards, but when talked about historically it's always considered a strip that got cut off in its youth. Only one reprint book ever came out during its run--covering much, but not all, of the first year. Rick Marschall's NEMO reprinted a fantastic surreal run of dailies in the 80s, and Tom Devlin edited a collection of Sunday's for an oversize Comics Journal special a few years ago (using Sundays from my collection, I'm collector-proud to add.) But all that adds up to a small fraction of the run of the strip.
I haven't used this spottily updated blog to plug anything until now, but if you like good cartooning, you should really check out this reprint series when it comes out!